高清

荣耀六十年

7.3

类型：爱情地区：中国大陆年份：2013 语言：中字

主演：Anna Neagle,Anton Walbrook,C. Aubrey Smith,Walter Rilla

导演：儿玉太智,安东尼·L·费尔南德斯,小林由美子

上次更新：2025-02-11 15:16:42

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剧情介绍

《荣耀六十年》影片介绍:Sixty Glorious Years is an exercise in the creation of iconography, both for Victoria and its star, Anna Neagle (who subsequently became known as 'Regal Neagle'). Just as Elizabeth I commissioned artists to create flattering iconic images for public consumption, so this film performs a similar function, for Neagle is more beautiful than the real life Victoria. Controversial events (such as the 'Irish problem') are omitted and unpleasant aspects of Victoria's character (her petulance, arrogance, favouritism and 'right to privilege') are glossed over as endearing little 'whims'. Albert acts as a moderating influence when she goes too far.　　The film followed a year after the highly successful Victoria the Great (d. Herbert Wilcox, 1937). Again the screenplay is by Miles Malleson and Robert Vansittart, and many of the supporting cast (the cream of acting talent of period) repeat their roles, this time for the colour cameras. This was the first full length Technicolor film of cinematographer Freddie Young, who captures the spectacle of royal weddings, grand balls and opulent interiors, with scenes actually filmed at royal palaces. Vivid battle scenes, set in Alexander Korda's empire territory (Sevastopol and the Sudan), rival those in The Four Feathers (d. Zoltan Korda 1939).　　The title music sets the tone a regal choir sings over a shot of the crown. Elgar's 1901 'Pomp and Circumstance' march is heard during the diamond jubilee celebrations and, as Victoria's coffin lies in state, the film concludes with Anthony Collins' stately music accompanied by the text of Rudyard Kipling's 'Lest we forget'. Combined with the emotional appeal of scenes of Victoria connecting with her 'ordinary folk', this is stirring stuff.　　The film connects with contemporary events of 1938. The release of two celebratory royal films was intended to boost public affection for the monarchy in the wake of Edward VIII's abdication. Anglo-German relations were another touchy subject. With another war on the horizon, influential voices wanted appeasement, and the film could be seen to fit that agenda. Victoria herself was of mainly German descent, nicknamed 'the grandmother of Europe', while Albert is a 'good German', charmingly played by Anton Walbrook as a cultured, decent man.　　Sixty Glorious Years now seems unduly formal and reverential. Had movies existed during Victoria's reign (they only emerged at the end) this might have been the kind of film produced. Unlike Mrs Brown (d. John Madden, 1997), it is all so very 'Victorian'.　　Roger Philip Mellor... 《荣耀六十年》影片介绍:Sixty Glorious Years is an exercise in the creation of iconography, both for Victoria and its star, Anna Neagle (who subsequently became known as 'Regal Neagle'). Just as Elizabeth I commissioned artists to create flattering iconic images for public consumption, so this film performs a similar function, for Neagle is more beautiful than the real life Victoria. Controversial events (such as the 'Irish problem') are omitted and unpleasant aspects of Victoria's character (her petulance, arrogance, favouritism and 'right to privilege') are glossed over as endearing little 'whims'. Albert acts as a moderating influence when she goes too far.　　The film followed a year after the highly successful Victoria the Great (d. Herbert Wilcox, 1937). Again the screenplay is by Miles Malleson and Robert Vansittart, and many of the supporting cast (the cream of acting talent of period) repeat their roles, this time for the colour cameras. This was the first full length Technicolor film of cinematographer Freddie Young, who captures the spectacle of royal weddings, grand balls and opulent interiors, with scenes actually filmed at royal palaces. Vivid battle scenes, set in Alexander Korda's empire territory (Sevastopol and the Sudan), rival those in The Four Feathers (d. Zoltan Korda 1939).　　The title music sets the tone a regal choir sings over a shot of the crown. Elgar's 1901 'Pomp and Circumstance' march is heard during the diamond jubilee celebrations and, as Victoria's coffin lies in state, the film concludes with Anthony Collins' stately music accompanied by the text of Rudyard Kipling's 'Lest we forget'. Combined with the emotional appeal of scenes of Victoria connecting with her 'ordinary folk', this is stirring stuff.　　The film connects with contemporary events of 1938. The release of two celebratory royal films was intended to boost public affection for the monarchy in the wake of Edward VIII's abdication. Anglo-German relations were another touchy subject. With another war on the horizon, influential voices wanted appeasement, and the film could be seen to fit that agenda. Victoria herself was of mainly German descent, nicknamed 'the grandmother of Europe', while Albert is a 'good German', charmingly played by Anton Walbrook as a cultured, decent man.　　Sixty Glorious Years now seems unduly formal and reverential. Had movies existed during Victoria's reign (they only emerged at the end) this might have been the kind of film produced. Unlike Mrs Brown (d. John Madden, 1997), it is all so very 'Victorian'.　　Roger Philip Mellor... 详情

影片评论

玫瑰悠悠:刚刚

等到了交货日的时候，两个奶爸竟然不舍得把孩子交出去，于是和反派大战一场。
陌豫轩:1分钟前

本片被称为的升级版，投资超过2亿美元，是灾难片大师罗兰·艾默里奇（Roland Emmerich）的最新力作
烽火连天:1分钟前

;感觉前半段军队对抗丧尸的剧情已经烂大街了，反而后半段医院里男主一伙人去找寻病原体时的紧张氛围让我更有感触。
灯盏香客:8分钟前

俩人都是警察故事讲述两个不着四六的警员度过了自己倒霉的高中生活后经过了警校特训，希望成为英雄警员，可惜他们的第一项任务是借助自己的娃娃脸去一所高中卧底，侦查那里发生的贩毒犯罪。
抽烟的小鬼:7分钟前

是安妮·海瑟薇和杰克·吉伦哈尔联袂出演的浪漫喜剧爱情片，影片于2010年11月24日在美国上映。
青花海屿:8小时前

当然了，我们要明白，感情并不都是那么美好的，但是，如果感情中充满了甜言蜜语，那么，每一天都会让我们开心，你们的感情因为甜言蜜语的保驾护航，一定会走向一个美满的结局的。
魂樱:小时前

一方面,它是电影赖以生存和发展的基础,科学技术每向前迈进一步便为电影拓展一些发展的空间；另一方面,科学技术又为电影作品版权侵权提供了更先进的工具和手段,又在相当程度上阻碍了电影的发展。
幻殇影:6小时前

一直饰演正面英雄人物的李雪健捧着奖杯真情流露，他说：“我能在这里领奖是沾了这些好人的奖，我要把这个奖杯作为珍贵礼物送给云南杨善洲展览馆，以此激励自己好好做人，好好演戏。
苑子衿:小时前

卖艺小姐姐被恶霸欺负江湖女侠霸(1990) ，李文华导演，李妮编剧。
呆小鱼:1天前

最后，她以一种残酷的方式筹到了赔偿金，在为受害女生写下一生中唯一一首诗后，消失在了人世间，留下的唯一事物，是一束献给诗歌班老师的鲜花。